ELP Digest Monday, July 24 1995 Volume 5 : Issue 17 The "It Smiles Especially For You" Edition Today's Topics: Greg Lake "Live" King Biscuit CD is out! Keith Emerson musical quote list sorted by Composer Sources for ELP music and a few tablatures from the net... More about the ELP sheet music books Re: Drumming Hello from a new reader (but long-time fan) Prelude ======= Hi. As promised, I'm finally running Steve Plotczyk's ELP quotes list. I think you'll be astounded at its completeness; I was! But first, some ego gratification and the news of the release of the Greg Lake "live" CD from King Biscuit Records. And then even more about music. It's a bigger issue than expected but I think you'll find it one of the most info-packed we've ever done. And, today's edition name is in honor of my son who is 3 years old today. Happy Birthday, Kenneth! - John - P.S. My apologies in advance if the size of this makes your mailer break it into multiple pieces. ------------------------------------------------------------ Date: Mon, 24 Jul 1995 22:15:18 -0400 From: John E Arnold To: arnold@iii.net Subject: Greg Lake "Live" King Biscuit CD is out! Hi! This weekend, I was able to get a copy of the newest ELP-related CD: "King Biscuit Flower Hour Presents GREG LAKE In Concert". I found it at Newbury Comics (a Boston area alternative music store; http://www.newbury.com). This concert contains MUCH more music than was originally broadcast on "King Biscuit". Here's the track list: 1. Medley: (a) Fanfare for the Common Man (b) Karn Evil 9 (1st Impression, Part 2) 2. Nuclear Attack 3. The Lie 4. Retribution Drive 5. Lucky Man 6. Parisienne Walkways (from Gary Moore's "Back on the Streets" LP) 7. You Really Got a Hold On Me (yes, a cover of the Miracles hit!) 8. Love You Too Much 9. 21st Century Schizoid Man 10. In the Court of the Crimson King. The Greg Lake band is Greg Lake (vocals, guitars), Gary Moore (lead guitar, vocals), Tommy Eyre (keyboards, vocals), Ted McKenna (Drums), Tristram Margetts (bass). And here's the part I got the biggest thrill from.... on the back of the CD booklet... "Special Thanks: Bill Levenson, Stewart Young, Brian Emerson at Part Rock Mgt., Steve Barnett at Hard To Handle Mgt., Barry Ehrmand and everyone at King Biscuit Records/MMS, Randy Acker, John Arnold, Mary Ann Burns, Gary Moore, Tommy Eyre, Ted McKenna, Tristram Margetts and of course, the many family, friends and fans throughout the years." Yowza! I'm pretty sure Randy Acker is an ELP Digest reader who supplied the photos used on the cover and back cover of the booklet and Mary Ann is the one who got Greg's management in touch with the Digest to help find pictures. And to have my name mentioned on a real CD is simply unbelievable. Thanks to Mary Ann and Randy! One more thing. It says... Correspondence: Greg Lake c/o Pilato Entertainment Group 277 Alexander St., Suite 813 Rochester, NY 14607 'nuff said. Why not find a copy for yourself. It's really a very good recording of Greg and his "1st solo tour" band. - John - ------------------------------ Date: 05 Jun 95 14:24:12 EDT From: "Plotczyk, Steve" To: John E Arnold Subject: Keith Emerson musical quote list sorted by Composer Composer: Johann Sebastian Bach Quote: 2 & 3 Part Inventions #1 in C Song: Take A Pebble - piano solo Quote: French Suite #1 (BWV #812) - 1st movement (Allemande) Song: Knife Edge (central section) Quote: Italian Concerto - 3rd movement Song: Rondo(69) - intro Quote: Toccata And Fugue In D Minor (organ) - Toccata Song: Rondo - Live At The Royal Albert Hall (and many other concerts) Quote: Unaccompanied Sonatas And Partitas For Solo Violin (Partita no. 3) Song: She Belongs To Me - Nice Quote: The Well Tempered Keyboard - Prelude 24 Song: Prelude 24 - The Church Quote: 2 Part Invention In D Minor Song: 2 Part Invention In D Minor - Works vol. 1 Quote: Brandenburg Concerto No. 3 - 1st movement Song: Ars Longa Vita Brevis - 3rd movement Song: Rondo Song: War And Peace - organ solo - Nice Quote: Brandenburg Concerto No. 5 - harpsicord solo ending Song: Rondo - The Return Of The Manticore (submitted by Joe Paslawski) Quote: Brandenburg Concerto No. 6 Song: Country Pie - Nice Quote: Aria From Christmas Oratorio Song: Aria - Christmas album Quote: Toccata And Fugue In F major (organ) - Toccata Song: The Only Way Quote: The Well Tempered Keyboard - Prelude 6 Song: The Only Way Composer: Bela Bartok Quote: Divertimento For String Orchestra Song: Learning How To Fly - ELPowell Quote: Allegro Barbaro Song: The Barbarian Composer: Arthur Brown (The Crazy World Of Arthur Brown) Quote: Fire Song: Fire - The Return Of The Manticore Composer: Dave Brubeck Quote: Blue Rondo A' La Turk Song: Rondo (all) Song: For Example - live - Nice (unreleased) Composer: Walter Becker/Donald Fagen (Steely Dan) Quote: Reelin' In The Years Song: Reelin' In The Years - The Best Quote: Rikki, Don't Lose That Number Song: Rikki, Don't Lose That Number - The Best Composer: Elmer Bernstein Quote: The Magnificent Seven Song: She Belongs To Me - Nice Composer: Music - Leonard Bernstein, Words - Steven Sondheim Quote: America (West Side Story) Song: America - Nice Composer: Frederic Chopin Quote: Etude #1 opus 10 Song: Love At First Sight - intro Quote: Sonata #2 opus 35 - 3rd movement (Funeral March) Song: The Sheriff - live, newcastle odeon, 11-72 Composer: Clark/Crosby/Mcguinn (The Byrds) Quote: Eight Miles High Song: Eight Miles High - 3 Composer: Aaron Copland Quote: 3rd Symphony - 2nd movement - closing measures Song: Fanfare For The Common Man - live ending Quote: Fanfare For The Common Man Song: Fanfare For The Common Man Quote: Appalachian Spring Song: Variation On Simple Gifts - Emerson arrangement (not recorded) Quote: Four Dance Episodes From Rodeo - 4th movement (Hoe-Down) Song: Hoedown Song: She Belongs To Me - Nice Song: Ars Longa Vita Brevis - 4th movement - Nice Composer: Music - George Cory, Words - Douglas Cross Quote: I Left My Heart In San Francisco Song: Fanfare For The Common Man - live - 1977 Composer: Antonin Dvorak Quote: 9th Symphony - 4th movement Song: America - opening, turnarounds - Nice Composer: Harry Dacre Quote: Daisy Bell (A Bicycle Built For Two) Song: Nutrocker Song: Piano Improvisations - Welcome Back My Friends Song: Knife Edge - live, Sheffield City Hall 12-19-71 Song: The Sheriff - live, hammersmith odeon, 11-26-72 Composer: Jimmie Dodd Quote: Mickey Mouse March (Mickey Mouse Club Theme) Song: Rondo - Sao Paulo Brazil 3-26-93 (verified by Carlos Alberto Teixeira) Composer: Walter Doyle Quote: Mysterious Mose Song: The Sheriff - Welcome Back My Friends Composer: Bob Dylan Quote: Country Pie Song: Country Pie - Nice Quote: Man In The Long Black Coat Song: Man In The Long Black Coat Quote: My Back Pages Song: My Back Pages - Nice Quote: She Belongs To Me Song: She Belongs To Me - Nice Composer: John Entwhistle Quote: Boris The Spider (The Who) Song: Boris The Spider - The Best Quote: My Wife (The Who) Song: My Wife - The Best Quote: Too Late The Hero (The Who) Song: Too Late The Hero - The Best Composer: Bill Evans Quote: Interplay Song: Chorale - Five Bridges Suite - Nice Song: Blues Improvisation - Pictures At An Exhibition Composer: Kim Fowley (Bee Bumble And The Stingers) Quote: Nutrocker Song: Nutrocker Composer: George Gershwin Quote: Porgy And Bess - opening of act 1 scene 1 (Summertime) Song: Hang On To A Dream - Elegy Song: Rondo - Emerson/Jackson 1983 reunion jam (unreleased) Song: Summertime - Changing States Composer: Dizzy Gillespie Quote: Salt Peanuts Song: Tiger In A Spotlight Composer: Alberto Ginastera Quote: Suite De Danza Criollas - Coda Song: Creole Dance - Live At The Royal Albert Hall Song: Desde La Vida - 3 Quote: Piano Concerto No. 1 - 4th movement (Toccata) Song: Toccata Song: America/Toccata - Nice (unreleased) Composer: Gerry Goffin/Carol King Quote: The Locomotion Song: The Locomotion - ELPowell (bonus track) Composer: Edvard Grieg Quote: In The Hall Of The Mountain King (Peer Gynt) Song: Aquatarkus - lead - (live) Composer: Gabriel Groulez Quote: Petites Litanies De Jesus Song: Petites Litanies De Jesus - Christmas album Composer: Hans Gruber Quote: Silent Night Song: Silent Night - Christmas album Composer: Friedrich Gulda Quote: Prelude & Fugue Song: Prelude & Fugue - The Return Of The Manticore Song: Piano Improvisations - Welcome Back My Friends Composer: Peter Hammill Quote: Empire Of Delight Song: Empire Of Delight (And Close As This) - Peter Hammill Composer: George Frederic Handel Quote: Water Music Suite no. 2 in D Song: Water Music - Nice (unreleased) Composer: Tim Hardin Quote: How Can We Hang On To A Dream Song: Hang On To A Dream - Nice Composer: Gustav Holst Quote: Mars, The Bringer Of War (The Planets) Song: Mars, The Bringer Of War - ELPowell Composer: Hopkins Quote: We Three Kings Song: We Three Kings - Christmas album Composer: Dick Hyman Quote: The Minotaur Song: Aquatarkus - lead - Welcome Back My Friends Song: The Band Keeps Playing - Changing States Composer: Leos Janacek Quote: Sinfonietta - 1st & 5th movements Song: Knife Edge Composer: Elton John Quote: Don't Let The Sun Go Down On Me Song: A Blade Of Grass - Black Moon (bonus track) Composer: Scott Joplin Quote: Maple Leaf Rag Song: Maple Leaf Rag Song: Odeon Rag - unreleased - Emerson Song: Sceriffo O Bandito - Jovanotti Composer: Freddy King/Sonny Thomson Quote: Hide Away Song: Fanfare For The Common Man Composer: Eduard Lalo Quote: Symphonie Espagnol - 5th movement Song: Diary Of An Empty Day - Nice Composer: John Lennon/Paul Mccartney Quote: A Day In The Life Song: A Day In The Life - Nice/P.P.Arnold (documented instrumental) Quote: Lady Madonna (the Beatles) Song: Lady Madonna - live 1972 Quote: Norwegian Wood (the Beatles) Song: Hoedown - live - Trilogy tour - 1972 Song: Aquatarkus - live - Atlanta Ga - 3-8-78 Song: For Example - live - Nice (unreleased) Composer: Meade Lux Lewis Quote: Honky Tonk Train Blues Song: Honky Tonk Train Blues Quote: Yancey Special Song: Yancey Special - Honky Composer: George Malcolm Quote: Bach Before The Mast Song: Hello Sailor - Honky Composer: Mark Mancina Quote: Burning Bridges Song: Burning Bridges Composer: Henry Mancini Quote: Peter Gunn Theme Song: Peter Gunn Composer: Manfred Mann Quote: Do Wah Diddy Song: Piano Improvisations - Welcome Back My Friends Composer: Marlette/Shifrin Quote: Chains Song: Chains - 3 Composer: Thelonius Sphere Monk Quote: 'Round Midnight Song: Stones Of Years (live) Quote: Thelonius Song: A Time And A Place Song: Hang On To A Dream - middle improv section - Nice Composer: Ennio Morricone Quote: A Fistful Of Dollars Song: A Fistful Of Dollars - Nice/P.P.Arnold (documented instrumental) Composer: Wolfgang Amadeus Mozart Quote: Piano Sonata #1 - 4th movement (Rondo Alla Turca) k331 Song: Blue Rondo A' La Turk - Brubeck Composer: Modeste Mussorgsky Quote: Night On Bald Mountain Song: Boris The Spider - The Best Quote: Pictures At An Exhibition Song: Pictures At An Exhibition Composer: Charlie Parker Quote: Au Privave Song: Au Privave - Emerson (not released) Composer: Music - William Parry, Words - William Blake Quote: Jerusalem Song: Jerusalem Composer: Bernardo Pasquini Quote: Prelude Song: The Birds - Prelude - Otterino Respighi Composer: Oscar Peterson Quote: Blues Etude Song: Piano Improvisations - Welcome Back My Friends Quote: Blues Of The Prairies (Canadiana Suite - 5th movement) Song: Blues Of The Prairies - Nice (unreleased) Composer: Michael Praetorius Quote: Terpsichore Song: Canario - Joaquin Rodrigo Composer: Serge Prokofiev Quote: Troika (Lt. Kije Suite) Song: I Believe In Father Christmas - Works vol. 2 Quote: Scythian Suite - 2nd movement Song: The Enemy God Dances With The Black Spirits Quote: Montagues And Capulets (Romeo And Juliet - opus 75) Song: Romeo And Juliet Composer: Sergei Rachmaninoff Quote: Prelude In C# Minor Song: Azrael Revisited - Nice Song: The Great Gates Of Kiev - live - california jam, 1974 (piano spin) Song: The Sheriff - Welcome Back My Friends live, hammersmith odeon, 11-26-72 Composer: Ottorino Resphigi Quote: The Fountains Of Rome Song: 1992 concert start taped music part 1 Quote: The Pines Of Rome Song: 1992 concert start taped music part 2 Quote: Church Windows - Finale Song: concert end taped music part 1 Quote: The Birds - Prelude (Gli Uccelli) Song: concert end taped music part 2 Song: Piano Improvisations - Welcome Back My Friends Composer: Rimsky-Korsakoff Quote: Flight Of The Bumble Bee (Tsar Sultan) Song: Rondo - Live At The Royal Albert Hall Composer: Joaquin Rodrigo Quote: Canario (Fantasia Para Un Gentilhombre) Song: Canario Composer: Sonny Rollins Quote: St. Thomas Song: St. Thomas - Nice/Roy Harper (unreleased) Song: Karn Evil 9 - 2nd impression - steel drum minimoog lead Song: Salt Cay - leadout - Honky Composer: David Rose Quote: The Stripper Song: Piano Improvisations - live - Providence Civic Center RI 7-29-74 Composer: Diana Ross Quote: Standing In The Shadows Of Love Song: Standing In The Shadows Of Love - 3 - live - The Ritz, NY 4-7-88 Composer: Gaspar Sanz Quote: Instruccion De Musica Sobre La Guitarra Espanola 1674 Song: Terpsichore - Michael Praetorius Composer: Jean Sibelius Quote: Intermezzo (Karelia Suite) Song: Intermezzo - Nice Composer: Music - John Stafford Smith, Words - Francis Scott Key Quote: The Star Spangled Banner Song: Piano Improvisations - Welcome Back My Friends Composer: Stravinsky Quote: The Rite Of Spring Song: Boris The Spider - The Best Composer: Joe Sullivan Quote: Little Rock Getaway (1935) Song: Piano Improvisations - Welcome Back My Friends Composer: Billy Taylor Quote: Big Horn Breakdown Song: Big Horn Breakdown - Honky Composer: Peter Ilyich Tchaikovsky Quote: Nutcracker March Song: Nutrocker Quote: Symphony no. 6 (Pathetique) - 3rd movement Song: Pathetique - Nice (several versions) Composer: Joe Walsh Quote: Rocky Mountain Way Song: Rocky Mountain Way - The Best Composer: John Williams Quote: Theme From Close Encounters Song: Aquatarkus - live - Brain Salad Surgery Tour Quote: Theme From Star Wars Song: Aquatarkus - live - Brain Salad Surgery Tour Atlanta Ga 3-8-78 Long Beach Ca 8-12-77 & 8-14-77 Quote: Theme From Jaws Song: Boris The Spider - The Best Composer: Frank Zappa Quote: Lumpy Gravy Song: Lumpy Gravy - Nice (unreleased) Composer: traditional Quote: Bonyparte Song: Four Dance Episodes From Rodeo - 4th movement (Hoe-Down) - Copland Composer: traditional Quote: Bonaparte's Retreat Across The Rocky Mountains Song: Bonyparte - traditional Composer: traditional Quote: Carnival Song: St. Thomas - Sonny Rollins Composer: traditional Quote: Colonel Bogey March (theme from Bridge Over The River Kwai) Song: The Sheriff - Welcome Back My Friends live, hammersmith odeon, 11-26-72 Composer: traditional Quote: Happy Birthday Song: Happy Birthday - 3 - live - Rockline WNEW NY 3-88 Song: Variation On Simple Gifts - Emerson arrangement (not recorded) Composer: traditional Quote: I Saw Three Ships Song: I Saw Three Ships - Christmas album Composer: traditional Quote: It Came Upon A Midnight Clear Song: It Came Upon A Midnight Clear - Christmas album Composer: traditional Quote: Lovely Joan Song: Touch And Go - ELPowell Song: Fantasia On Greensleeves - middle theme (Vaughan Williams) Composer: traditional Quote: McLeod's Reel Song: Four Dance Episodes From Rodeo - 4th movement (Hoe-Down) - Copland Composer: traditional Quote: Nah, nah nah nah, nah (kid's teasing song) Song: Giovane Sempre - Jovanotti Composer: traditional Quote: O Little Town Of Bethlehem Song: Variations On O Little Town Of Bethlehem - Christmas album Composer: traditional Quote: Sailor's Hornpipe Song: Bach Before The Mast - George Malcolm Composer: traditional Quote: Shave And A Haircut Song: The Sheriff - Welcome Back My Friends live, hammersmith odeon, 11-26-72 Composer: traditional Quote: Shortenin' Bread Song: Hoedown - Trilogy Composer: traditional Quote: Simple Gifts Song: Appalachian Spring - Aaron Copland Composer: traditional Quote: Snake Charmer Song Song: Eight Miles High - 3 - live - The Ritz NYC 4-7-88 Composer: traditional Quote: The Girl I Left Behind Me Song: Abaddon's Bolero - Trilogy Composer: traditional Quote: Turkey In The Straw Song: Hoedown - Trilogy Composer: ? Quote: 7 Bridges Song: 7 Bridges - The Best Composer: ? Quote: 20th Century Schizoid Man (King Crimson) Song: 20th Century Schizoid Man - The Return Of The Manticore Composer: ? Quote: Bodhisattva (Steely Dan) Song: Bodhisattva - The Best Composer: ? Quote: Bread And Butter (The Newbeats) Song: Fanfare For The Common Man - Atlanta Ga 3-8-78 Composer: ? Quote: East Side, West Side Song: Piano Improvisations - Welcome Back My Friends Composer: ? Quote: Epitaph (King Crimson) Song: Battlefield - live Composer: ? Quote: Get To You (The Byrds) Song: Get To You - Nice (unreleased) Composer: ? Quote: Goin' Out Of My Head Song: Goin' Out Of My Head - Nice/P.P.Arnold (documented instrumental) Composer: ? Quote: Good Evening Friends Song: Piano Improvisations - Welcome Back My Friends Composer: ? Quote: Good King Wenceslas Song: Good King Wenceslas - Emerson arrangement (not recorded) Composer: ? Quote: Hoola Hoola Dance Song: Hoola Hoola Dance - live - 3 Composer: ? Quote: I'll See You In My Dreams Song: Azrael - Nice (unreleased Top Gear show) Song: Intro Juicing - Honky Composer: ? Quote: I'm A Man (Steve Winwood ?) Song: I'm A Man - Nighthawks soundtrack Composer: ? Quote: Jingle Bells Song: Take A Pebble - Boston Garden MA - Brain Salad Surgery tour Composer: ? Quote: Life In The Fast Lane Song: Life In The Fast Lane - The Best Composer: ? Quote: MTV Theme Song: MTV Theme - MTV Guest VJ - ELPowell 9-86 Composer: ? Quote: Oh Suzanna Song: Sceriffo O Bandito - Jovanotti Composer: ? Quote: Respect Song: Respect - Nice/P.P.Arnold (documented) Composer: ? Quote: Shine On Harvest Moon Song: Intro Juicing - Honky Composer: ? Quote: Soul Sacrifice (Santana) Song: Soul Sacrifice - Switched On Symphony - Nice (unreleased) Composer: ? Quote: Sweet Soul Music Song: Sweet Soul Music - Nice/P.P.Arnold (documented) Composer: ? Quote: Takin' It To The Streets Song: Takin' It To The Streets - The Best Composer: ? Quote: The Cuckoo (Laurel And Hardy's Theme) Song: Piano Improvisations - Welcome Back My Friends Composer: ? Quote: To Anacreon In Heaven Song: The Star Spangled Banner Composer: ? Quote: Top Gear Theme Song: Top Gear Theme - Nice (unreleased) Composer: ? Quote: You Keep Me Hangin' On Song: You Keep Me Hangin' On - Nice/P.P.Arnold (documented) Composer: ? Quote: Walk Like An Egyptian (The Bangles) Song: Eight Miles High - 3 - live - The Ritz NYC 4-7-88 If you can provide additions, corrections, or additional information to this list then please contact: Steven Plotczyk 25 Chilmark St Worcester Ma 01604-2810 Compuserve mhs:plotczyk@fssi Internet plotczyk@fssi.mhs.compuserve. ------------------------------ Date: 12 Jun 95 16:14:56 EDT From: "Plotczyk, Steve" To: John E Arnold Subject: Sources for ELP music and a few tablatures... Concerning ELP digest volume 5 issue 14: >Keith Pomfret >... >[ Editor's note: Well, I've never received any tablature or pointers to > tabs for the web site. Readers.... any pointers? > - John - ] And: >Tim Edins >... >[ Editor's note: Another tough one. Anyone know of anything like this? I'm > beginning to think I should contact Warner Brothers or > whoever actually printed the now out-of-print ELP books > and ask what it would cost to get the rights to re-print > them. Any other ideas? - John - ] Below is a summary of sheet music with sources: from the beginning - guitar tablature from 1-92 guitar magazine Back issues of Guitar magazine can be ordered from: Music Dispatch P.O Box 13920 Milwaukee WI 53213 (800)637-2852 The cost is $5.95 + $3 S&H. lucky man - synthesizer solo from 2-84 keyboard magazine eruption - from 6-92 keyboard magazine (different from Tarkus album book) karnevil 9 3rd impression - organ solo from 9-82 keyboard magazine piano concerto no. 1 - cadenza from 8-88 keyboard magazine (Presser excerpt) barrel house shakedown - partial from 10-77 keyboard magazine honky tonk train blues - partial from 4-91 and 6-91 keyboard magazines variation on simple gifts - from 11-80 keyboard magazine good king wesceslas - from 12-79 keyboard magazine Back issues of Keyboard magazine can be ordered from: Keyboard Back Issues P.O Box 7046 San Francisco CA 94120 (800)444-4881 The cost is $9 (includes S&H) hoedown - drums from applied rhythms jerusalem - drums from applied rhythms brain salad surgery - drums from applied rhythms letters from the front - drums from applied rhythms The Carl Palmer "Applied Rhythms" - 06630365 (Modern Drummer Publications) can be ordered from: Music Dispatch P.O. Box 13920 Milwaukee WI 53213 (800)637-2852 The cost is $8.95 + $3 S&H PETHEL (thesis excerpts) lachesis eruption the gnome promenade no. 2 endless enigma fugue hoedown trilogy abaddon's bolero jerusalem tocatta piano concerto pirates The Doctoral Thesis: Kieth Emerson: The Emergence of Growth and Style. A Study of Selected Works. by Blair Woodruff Pethel, D.M.A. of Peabody Institute of the Johns Hopkins University can be ordered from: University Microfilms International 300 North Zeeb Rd. P.O. Box 1346 Ann Arbor MI 48106-1346 (800)521-0600 The cost is $36 (includes S&H) piano concerto no. 1 - piano solo parts only from Presser The Keith Emerson "Piano Concerto No. 1" - 11440477 (piano part only) can be ordered from: Theodore Presser Music Co. Presser Place Bryn Mawr PA 19010 (610)527-4242 The cost is $17 + $4 S&H They can also rent the full orchestral score to professional orchestras only. Certified professionals can contact: Theodore Presser Music Co. Rental Dept. Presser Place Bryn Mawr PA 19010 (610)525-3636 ELP (Black book) benny the bouncer the endless enigma part 1 the endless enigma part 2 jeremy bender the sheriff take a pebble trilogy TARKUS (Album book) eruption stones of years iconoclast mass manticore battlefield aquatarkus jeremy bender bitches crystal the only way infinite space a time and a place are you ready eddy? ANTHOLOGY (Pirates version - 2nd edition) the endless enigma fugue the great gates of kiev love beach lucky man prologue the education of a gentleman love at first sight letters from the front honourable company march pirates still.... you turn me on The 3 official ELP sheet music books (now out of print): ELP - VF0392 Tarkus - VF0752 Anthology - VF0857 are published by: Warner Brothers Publications 75 Rockefeller Plaza New York NY 10019 (212)275-4500 Below are 4 ascii tab files: 21st century schizoid man - guitar tablature (Dennis Montgomery) epitaph - guitar tablature (Dennis Montgomery) cadence and cascade - guitar tablature (Jason Zack) from the beginning - intro & chord guitar tablature (Glen Macon & Jan Kalin) ************************************************************************* King Crimson : 21st Century Schizoid Man transcription by Dennis Montgomery warlock@halloween.EBay.Sun.COM I used 3 versions of Schizoid Man to transcribe this: 1) Studio : _In the Court of the Crimson King_ 2) Live : Providence disc from the amazing new _Great Deceiver_ boxed set (also the same version originally released on _USA_) 3) Live : My *Alltime Favourite* version from _Earthbound_ NOTES: 1) Standard bar chords unless otherwise noted 2) This transcription isn't rigidly Beginning -> End. I'll write it by section then assume knowledge of repeating parts... First the chords: The main chordal riff in 4/4: 1 2 3 4|1 2 3 4 C A# C D# A# C |F F# G Alternate used before vox: 1 2 3 4 1 2 3 4 C A# C D# F G |13---14---15-| |16*--17*--18*| *Bend each 1 whole step |-------------| |-------------| |-------------| |-------------| Vocal Section Chord from hell: Interpretations of this chord are legendary, this one sounded best to me: x 8 8 10 10 8 Cat's foot etc... Exit main chordal riff: F F# G : Repeat 6 times, increase tempo then... Unison run section 1 (rhythm sorta notated by the 1-2-3-4) 1 2 3 4 1 2 3 4 |----------------------------|--------------------------| |--------4-5-6---------------|--------4-5-6-------------| |5-5-5-5-------5-5-5-5-4-3---|5-5-5-5-----------3---3-4-| |--------------------------5-|--------------4-5---5-----| |----------------------------|--------------------------| |----------------------------|--------------------------| |----------------------------|------------------6---6-7-| |--------4-5-6---------------|--------4-5-6-7-8---8-----| |5-5-5-5-------5-5-5-5-4-3---|5-5-5-5-------------------| |--------------------------5-|--------------------------| |----------------------------|--------------------------| |----------------------------|--------------------------| 1 2 3 4 1 2 3 4 |----------------------------|-----------------------------------------| |----------------------------|--------------/tri\--/tri\--/tri\--/tri\-| |--------3-4-5---------------|--------3-4-5-0-3-3--0-3-3--0-3-3--0-3-3-| |5-5-5-5-1-2-3-5-5-5-5-4-3---|5-5-5-5-1-2-3----------------------------| |3-3-3-3-------3-3-3-3-2-1-0-|3-3-3-3----------------------------------| |--------------------------3-|-----------------------------------------| Play chords loose and sloppy tri=triplets Unison run section 2 (rhythm sorta notated by the 1-2-3-4) 1 2 3 4 1 2 3 4 |------------------------------------|------------------------------------ | |11-------11-------11----------------|11-------11-------11---------------- | |---11-12----11-12----11-12-11-10----|---11-12----11-12----11-12-11-10---- | |---------------------------------13-|---------------------------------13- | |------------------------------------|------------------------------------ | |------------------------------------|------------------------------------ | |------------------------------------|------------------------------------ | |---------------------------------10-|11-------11-------11---------------- | |12-------12-------12-------11-12----|---11-12----11-12----11-12-11-10---- | |---13-15----13-15----13-15----------|---------------------------------13- | |------------------------------------|------------------------------------ | |------------------------------------|------------------------------------ | |------------------------------------|------------------------------------ | |11-------11-------11----------------| |---11-12----11-12----11-12-11-10----| Vibrato and Feedback like a Madman |---------------------------------13-\-/-\->then you're on your own... |------------------------------------| ...for this is the Solo from Hell :) |------------------------------------|------------------------------------ | ...And speaking of hell, here are the inhumanly fast parts... Fast1* |--------------------------------------------3-| |------------------------/tri\-------3---3-6---| |----------------3---3-5-3-5-3---3-5---5-------| |--------3---3-5---5-----------5---------------| |--1-3-5---5-----------------------------------| |3---------------------------------------------| *The rhythm is correct so if you play the triplet at the indicated time (and allow 1 note length) you should be dead on. The notes themselves are pretty close but open to interpretation... Fast2** |--------------------------------------------3---------------| |------------------------/tri\-------3---3-6---2-1-----------| |----------------3---3-5-3-5-3---3-5---5------------3-0------| |--------3---3-5---5-----------5-------------------------3-0-| |--1-3-5---5-------------------------------------------------| |3-----------------------------------------------------------| **Same as * except last 7 notes are definitely correct Fast3 |------------------------------------------| |------------------------------------------| |--------3-0-7-0-5-0-3-0-5-0-7-0-----------| |--1-3-5-------------------------3-0-------| |3-----------------------------------4-3-1-| |------------------------------------------| Mute1 |------------------------------------------| |------------------------------------------| |------------------------------------------| |--------3-0-7-0-5-0-3-0-5-0-7-0-3-0-------| |--1-3-5-----------------------------4-3-1-| |3-----------------------------------------| Stop & Go |----1-----1-|----1-------|----1-3-------------|----1-3-------------| |1-3---1-3---|1-3---3-2-1-|1-3-----2-1---------|1-3-----2-1---------| |------------|------------|------------3-0-----|------------3-0-----| |------------|------------|----------------3-0-|----------------3-0-| |------------|------------|--------------------|--------------------| |------------|------------|--------------------|--------------------| The order for the inhumanly fast section: Fast1, Fast2, Fast3, Fast1, Stop&Go, Mute1, Mute1, Fast3, Fast1, Stop&Go Then back into the unison runs, vox, and opening chords. By the time the song ends you should have either achieved enlightenment or neurotic breakdown :) One thing's for sure, if you make it all the way through, you're well on your way to becoming a 21st Century Schizoid Man...Have fun! ************************************************************************** King Crimson : Epitaph transcription by Dennis Montgomery warlock@halloween.EBay.Sun.COM NOTES: 1) I'm pretty sure it's called F#m+(Add B) ...it's a definite Fripp chord 2) Let the notes of the guit-arpeggios ring out as long as possible 3) Try the guit-arpeggios on a 12 string if possible :) First the chords: Em F#m+(Add B) Am B+ B Bm C 0 x 0 x 2 2 x 0 0 1 4 4 3 1 0 2 2 0 4 4 0 2 0 2 1 4 4 2 2 2 0 2 2 2 3 0 2 x x x x x The vocal sections: Em F#m+(Add B) Am B+ B The wall on which the prophets wrote is cracking at the seams Upon the instruments of death the sunlight brightly gleams When every man is torn apart with nightmares and with dreams Will no one lay the laurel wreath as silence drowns the screams Em Bm Confusion will be my epitaph As I walk a cracked and broken path C Bm If we make it we can all sit back and laugh but I fear tomorrow I'll be crying Em F#m+(Add B) Am B+ B Between the iron gates of fate the seeds of time were sown And watered by the deeds of those who know and who are known Knowledge is a deadly friend when no one sets the rules The fate of all mankind I see is in the hands of fools (mellotron buildup of C + Cm???) This acoustic guitar arpeggio also appears at the songs beginning... |---------------|---------------|---------------|---------------|-------------- |---------------|---------------|---------------|---------------|---1-0-1-0-1-- |-----0---0-----|-----0---0-----|-----2---2-----|---1-----2-----|-------------- |---2---2---2---|---2---2---2---|---0---0---0---|-----0-----0---|-2-----------2 |-2-----------2-|-2-------------|-2-----------2-|-2-----2-----0-0-------------- 0---------------0-------------0-2---------------2---------------|-------------- |---------------|---------------|---------------| |---1-0-1-0-1---|-----0-4-0-----|-------4-------| |---------------|---0-------0---|-----4---4-----| |-2-----------2-|-1-----------1-|-1-4-------4-1-| 0---------------2---------------2---------------| |---------------|---------------|---------------| Em Bm Confusion will be my epitaph As I walk a cracked and broken path C Bm If we make it we can all sit back and laugh but I fear tomorrow I'll be crying corrections - feel free to mail me at chuck@cs.unsw.oz.au ************************************************************************** "Cadence and Cascade" King Crimson, from the 1970 album In The Wake of Poseidon Written by Robert Fripp and Peter Sinfeld (lyrics) (NOTE: This is not from any book, magazine, whatever, so it's not a professional transcription, per se. Still, this sounds pretty good. Please E-Mail any comments to Deceiver@Maple.circa.ufl.edu.) (YET ANOTHER NOTE: there really is no need for a transcription key; this is a simple accoustic song with no taps, slides, etc. Of course you may add what you like to enhance the song). (verse) a: (instrumental) b: Cadence and cascade Kept a man named Jade; c: Cool in the shade While his au-dience played. d: Sliding mystified On the wine of the tide e: Stared pale-eyed As his veil fell aside. |-------|-----------|-------|---------|-------|---------|-------| |-----0-|----0-0----|-----2-|---2-2---|-------|---------|-----2-| |-----1-|---1-1-1---|-----2-|--2-2-2--|-----4-|---4-4---|-----2-| |-------|-----------|-------|---------|-----6-|--6-6-6--|-------| |---2---|-2-------2-|---4---|-4-----4-|---6---|-6-----6-|---4---| |-0-----|-----------|-0-----|---------|-0-----|---------|-0-----| ___________________________ |1: |2: | |---9---7---5---|---------| [do one time as intro, second & |--------------.|--2-----.| third times are first verse, then |---9---8---6---|----2----| cut to chorus] |---------------|---------| |-0---0---0--0-.|------4-.| |---------------|---------| (chorus) a: Purred, whispered, Rspend us tooS \ 1st b: We only serve for you...S / chorus c: Sad paper courtesan \ 2nd d: They found him just a man / chorus ___________________________________________ |1: |2: |--------4-|--------7-|------------|----------|---------|-------| |-------0--|-------4--|------5----.|----------|---------|-----5-| |------1---|------4---|--4-6---4---|--4-----6-|-4-----6-|-4-6---| |-----2----|-----6----|------------|----7-----|---7-----|-------| |----------|----------|-----------.|------7---|-----7---|-------| |-(0)------|-(4)------|------------|----------|---------|-------| _________________________________________________________________ 2(cont'd): |-------|----------|-9-7-5-|---7---7---7---------|--------------| |-----5-|----------|-------|--9---9---7--------5-|--------------| |-4-6---|--(piano)-|-9-8-6-|-9---8---7---6-4-6---|---(piano)----| |-------|----------|-------|---------------------|--------------| |-------|----------|-------|---------------------|--------------| |-------|----------|-------|---------------------|--------------| ________________ |2 (cont'd): |-9-7-5--------| |--------------| |-9-8-6--------| (Now go back to verse, alternating picking |--------------| order on arpeggios, etc. Listen to the |--------------| recording for the exact order) |------------- | [then, without playing the verse ending, play the bridge as chords (mostly) in this order:] (bridge) [use these chords] F#min7 Amin7 Emin7 Amaj7 __2__ __0__ __0__ __0__ __2__ __1__ __3__ __2__ __2__ __0__ __3__ __1__ __2__ __2__ __0__ __2__ __4__ __0__ __2__ __0__ __2__ __0__ __0__ _____ F#m7 (or Amj7) Am7 Em7 Am7 Caravan hotel where the sequin spell fell, Custom of the game F#m7 Am7 Em7 Cadence oiled in love lied hand, Cascade (see below) kissed his name. [arpeggiate Amaj7 on first ending, then for 2nd ending:] |-----------| |--0--------| |--1--------| [do verse one more time (instrumental) and cut |----0------| into a final, lyrical chorus: |----2------| |-----------| Sad paper courtesan They knew him just a man. [fade out with improvised (lots of flute, piano going on) guitar in F#min & G#minor (I think)] [That's it, hope you enjoy. I've been looking for a TAB for this song for awhile, I finally had to do it myself] -Jason Zack Title : From the Beginning Artist : Emerson,Lake and Palmer TABs : Jan Kalin CRDs : Glen Macon & Jan Kalin Symbols: H hammer-on P pull-off B bend (upto note) S slide [12] touch the string ([12] is one octave higher than 0) S H P H H S E ||----------[12]-|-10-12-(7)-7-|-5-7-8-7-0-0-|-0-2-3-|---3-(8)-8-| B ||------[12]-----|-------------|-------------|-------|-----------| G ||--[12]---------|-------------|-------------|-------|--0--------| D ||---------------|-------------|-------------|-------|-----------| A ||---------------|-------------|-------------|-------|-0---------| E ||-0-------------|-------------|-------------|-------|-----------| E ||---------|----------------------|------------------------| B ||---------|----10-10-----10-10---|----11-11-----11-11-----| G ||----12-9-|--11--9--11-11--9--11-|--10--9--10-10--9--10---| D ||--10--9--|-0---------0----------|-0---------0------------| A ||-0-------|----------------------|------------------------| E ||---------|----------------------|------------------------| Am9.... E ||------------------|-------|-------------0- B ||---6-5-6---6-5-6--|---6-5-|-------------0-.... G ||--5-----5-5-----5-|--5----|-------------5- D ||-0-------0--------|-0-----|------0------5-.... A ||------------------|-------|--B-----B---0-- E ||------------------|-------|-2-(3)-2-(3)---.... Am9 Em11 Dm7 Dm6 E A D G B E E A D G B E E A D G B E E A D G B E ----------- ----------- x---------- x---------- 1 | | | | | | | | | | | | | | | | | | | | | | | | 1 2 | | | | | | | | | | | | | | | | | | | | | | | | 2 3 | | | | | | | | | | o | | | | | | | | o-o-o-o-o 3<-- barre 4 | | | | | | | | o | | | | | | | | | | | | o | | 4 5 | | o o | | | | | | | | | | | o | o | o | | | o 5 | | | | | | | | | | | | | | | | o | | | | | | | G Fmaj9 Cmaj9 E7sus4(Add F) E A D G B E E A D G B E E A D G B E E A D G B E x-x-------- x-x-------- x---------- ----------- 1 | | | | | | | | | | o | | | | | o | | | | | | | 1 2 | | | | | | | | | o | | | o | | | | | o | o | | 2 3 | | | | o o | | o | | o | | | | | | | | o | o | 3 4 | | | o | | | | | | | | | | | | | | | | | | | | 4 5 | | o | | | | | | | | | | | | | | | | | | | | | 5 | | | | | | | | | | | | | | | | | | | | | | | | Am9 Em11 It might have been things I did C Cmaj9 Fmaj9 G Dm7 But don't be unkind, it don't mean I'm blind Am9 Em11 But after a thing or two C Cmaj9 Fmaj9 G Dm7 I think of lying in bed, I shouldn't have said Am9 Em11 Am9 Em11 Dm7 Dm6 You see it's all clear Dm7 E7sus4(Add F) You were meant to be here Am9 Em11 >From the beginning Am9 Em11 Well maybe I might have changed C Cmaj9 F G Dm7 And not been so cruel, not been such a fool Am9 Em11 But after what's done is done C Cmaj9 F G Dm7 I just can't recall, it doesn't matter at all Am9 Em11 Am9 Em11 Dm7 Dm6 You see it's all clear Dm7 E7sus4(Add F) You were meant to be here Am9 Em11 >From the beginning ************************************************************************* Hope this helps. Steve Plotczyk. ------------------------------ From: m.burns@genie.geis.com Date: Tue, 13 Jun 95 11:42:00 UTC To: arnold@iii.net Subject: More about the ELP sheet music books re:ELP Music Here's a post from a while back from AOL I saved: From: Tarkusmoog@aol.com The first book (self-titled) includes Trilogy, The Endless Enigma (parts I and II), Take a Pebble, The Sheriff, Jeremy Bender, and Benny the Bouncer. Last I checked, you can STILL get it--go to your local music store and have them order it from HARRIS-TELLER, a Chicago music warehouse that supplies practically all music stores. The other two books are Tarkus, which contains everything on the album; it's been out of print since the early 1980s. The third is the "ELP anthology," a misnomer because it only contains SOME of their best (in addition to a good portion of Love Beach). It has Pirates, Still You Turn Me On, The Fugue from Endless Enigma, Love Beach, Officer and Gentleman Suite, and The Great Gates of Kiev. It, too is out of print, and unavailable. The complete score to KE's Piano Concerto is available from Theodore Presser Publ. in Bryn Mawr, PA (zip 19010). Also, a doctoral dissertation on KE (by Blair Woodruff Pethel) is available from UMI in Ann Arbor, MI. I just did my Music Theory Master's Thesis on Tarkus, and am hoping the same folks will publish it (it's pending approval from KE or whomever owns the rights to Tarkus). KE has also had bits and pieces published over the years in KEYBOARD; check your local library. I have done some transcription work (caveat: "actual pitches and rhythms may vary"), and was HOPING that someone else in cyberspace had done some of their own (hopefully accurate) transcription work. I think we all would like to have a large library of ELP music, wouldn't we? I'd be happy to trade what I've got, except the thesis (but I DON'T want to xerox any legit. ELP music). -Tarkusmoog@aol.com ********** hope this helps! Mary Ann M.Burns@genie.geis.com DreamRunnR@aol.com ------------------------------ Date: Wed, 14 Jun 1995 10:03:08 -0400 From: Daniel Barrett To: wmcavene@mail.tjhsst.edu cc: arnold@iii.net Subject: Re: Drumming On April 18, 1995, wmcavene wrote: >A lot of people have been raggin' on Carl Palmers drumming. This is a >pet peeve of mine. It seems that every good drummer from the 70s is >either dead (Kieth Moon, John Bohnam) or has had their style deteriorate >(Neil Peart, Carl Palmer). Just listen to Rush's 'Counterparts' and >compare it to '2112' and you'll see what I mean. What's going on with >drumming lately? What "happened" was the invention of the drum machine, which enabled non-drummers to create drum parts more cheaply than live drummers in a studio. As a result, drum parts in popular music became simpler, and live drummers began adapting their styles to sound more and more like drum machines. We hear the results in pop music today. (Drum machines have been used for other types of more complex music too, but they started out very simple.) My theory. :-) Dan //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ | Dan Barrett -- Computer Science Dept, University of MA, Amherst, MA 01003 | | http://zoo.cs.umass.edu/~barrett/public.html -- barrett@cs.umass.edu | \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\///////////////////////////////////// ------------------------------ Date: Wed, 14 Jun 1995 07:31:28 GMT From: nick@tritec.demon.co.uk (Nick Robinson) To: arnold@iii.net Subject: Hello from a new reader (but long-time fan) Hi all, this is my first posting to the digest, although I've read the last 3 or 4. Great to see such enthusiasm for a group that formed such an important part of my youth. I bought ELP1 in 1970 & used to go to sleep to the unearthly strains of Lucky Man's moog solo. As a new approach to music, I don't think they were equalled and the LP remains my favourite. I saw them here in Sheffield 3 times and spoke to Emerson twice. At the time (as a hero-worshipper) I collected every cutting I could find & still have thre bulging scrapbooks. I soon discovered the Nice & realise where Rondo came from (their encore in '71). If anyone knows of any unreleased Nice stuff I'd love to hear. I've lent my Nice scrapbook to a chap producing a double CD "Best of the Nice" to be released soon. I gather there will be rare stuff on that. His budget was spent when he heard about my scrapbook, so he's paying me with an acetate of an unreleased "Brandenberger" 45!!!! To be brutally frank, I think they lost momentum after Trilogy and Emerson seemed hooked on his Yamaha when I always preferred the Hammond, but you can't expect him to stand still. Love Beach featured what must be the worst cover of all time! If anyone wants to raid my archives with questions, I'm happy to oblige. Nick -- ------------------------------ Digest, mailing address, and administrative stuff to: arnold@iii.net ==\ \ => The same for now... ELP-related info that you / want to put in the digest to: arnold@iii.net =/ Back issues are available from the World Wide Web ELP Home Page: URL: http://bliss.berkeley.edu/elp/ Note: The opinions, information, etc. contained in this digest are those of the original message sender listed in each message. They are not necessarily those of the mailing list/digest administrator or those of any institution through whose computers/networks this mail flows. Unless otherwise noted, the individual authors of each entry in the Digest are the copyright holders of that entry. Please respect that copyright and act accordingly. I especially ask that you not redistribute the ELP Digest in whole or in part without acknowledging the original source of the digest and each author. Thanks! ------------------------------ End of ELP Digest [Volume 5 Issue 17] *************************************