ELP Digest Thursday, 5 August 1999 Volume 9 : Issue 7 The "Did It Really Happen Then Or Was It A Dream?" Edition Today's Topics: I guess I've got some explaining to do.... ELP on VH-1 this week! ELP on VH-1 VH1- Where are they now? An Evening with Lee Jackson Carl's Drums at Rock and Roll Hall of Fame? Carl's drums Japanese Remasters RE: Quick ELP Question RE: Quick ELP Question (#2) Re: Tarkus need info 1st results of ELPoll... St. Peter's Thieves Searching for lyrics... Re: ELP on Fox Another Emerson Inspiration? Live at the Royal Albert Hall Rondo (after America) 7:12-7:27 Five Bridges - High Level Fugue (Manuscript) ELP Sale Prelude ======= This Digest's prelude turned into a full-length article. So, please read on. Thanks. - John - ------------------------------------------------------------ I guess I've got some explaining to do.... On July 3, I almost rushed a Digest out the door (in an e-mail kind of way) since I was starting to get news of a Yes/ELP tour and, for a brief time, there was mention of such a tour on the official ELP site. But, just before I mailed it, I checked again and that mention was gone from the site. So, I removed the link to it from the ELP Digest site. This caused a rush of mail about what was going on, etc. Since it has always been my policy to treat the "news" items in the Digest seriously, I decided that I should check what was going on with the ELP camp before fueling the fires. As a result, I put off this Digest until I had more to say. Unfortuately, I don't have any official release to refer to. But I can say with some degree of certainty that there will be no Yes/ELP tour beginning in mid-August (as the original announcement seemed to indicate). The Yes site (www.yesworld.com) seems to indicate a Yes tour in Latin America beginning Sept. 1. So, for now, we should probably assume that there were well-intentioned discussions of a possible Yes/ELP tour but that it will not happen as originally intended. I'm sure that there are a lot of us who will continue to hope that such a tour might happen some day. But it looks like it won't be this year. As always, I will provide you with up-to-date and confirmed information about any and all upcoming ELP (group or solo) events. Thanks to everyone who wrote me to ask what was happening and for your patience while I tried to figure out what was happening. I appreciate your interest and your loyalty. As always, - John - ELP Digest, Editor arnold@reluctant.com ------------------------------ From: "Martin Kornick" , on 8/2/99 8:29 AM: To: "ELP Digest" Subject: ELP on VH-1 this week! ELP will be featured on VH1's "Where Are They Now?" program in the USA. This is the Classic Rock Episode No #21 and will debut at 10pm Tuesday August 3rd. Check your time zone! It will repeat later that night at 1:30am (followed by another episode featuring Kansas & Jethro Tull). It will also be repeated on Friday the 6th at 1pm & Saturday at 3pm. Again, please check your local listings for your time zone. If you miss it, don't worry... They repeat these things about 100 times over the course of the year. "Where Are They Now" is an excellent VH1 feature that usually will give bands a good 5 minute spot, and always features the bands in a positive light. Can't wait to hear where are they now? Martin treasures@interaccess.com [ Editor's Note: Sorry I didn't get this out in time for the original air date. But, as you'll note above, this show is being repeated later this week. I didn't see it the first time either and will be waiting with VCR ready for Friday's or Saturday's showing. Thanks for the info, Martin! - John - ] ------------------------------ From: John S Hawkes , on 8/3/99 10:44 PM: To: elp-digest-web@reluctant.com,estazz99@intonet.co.uk Cc: Hawkesnest5@juno.com Subject: ELP on VH-1 Hello Everybody... Well...it has finally happened. Tonight I just happened to turn on the TV Music Channel VH-1 and lo and behold, there was footage of Keith's piano spinning episode at the California Jam. Emerson, Lake & Palmer were the first of several artists featured on the program, "Where Are They Now?" It was a classic rock edition. I know VH-1 tends to repeat these programs on a regular basis, so hopefully those who missed it will get another opportunity. Unfortunately, with no advanced warning, I was unable to fire up the VCR in time. ELP were the first band spotlighted. The segment lasted approximately 8 minutes and was a brief summary of the group's career. Much of the footage in the first few minutes was taken from the "Manticore Documentary." Keith was the only member interviewed during the segment and it was a recently recorded interview, because at the end of it, he discussed the possibility of ELP reuniting. He said that he had a candle burning at home that hopefully symbolized the ELP flames still a burning. Other footage included a studio shot of Emerson, Lake & Powell and a bit of the "Touch & Go" video. A mention of what the band members were up to during the early 80's as solo artists was presented. Video clips were mixed in with still photos. Anyone familiar with VH-1's "Behind The Music" segments will recognize the production. Hopefully, this is an indication that a BtM one-hour segment on the band is in the works, though I have not seen one. Another band featured in this program was Grand Funk Railroad, and their segment had appeared on a BtM hour-long feature that aired prior to "Where Are They Now? The remainder of the segment dealt with Keith's current happenings. He said that the biggest disappointment in his career was the day he was told by the doctors that he might never play the keyboards again. Footage was shown of Keith motorcycling on the Pacific Coast Highway, as well as "composing" with Smokey, his parrot. It was also mentioned that Greg had rekindled his solo career and that he was active with the missing children's charity. A discussion of Carl's involvement with Asia was also included. Hope you all get a chance to see it! ------------------------------ From: "New" , on 8/4/99 10:35 AM: To: Subject: VH1- Where are they now? Dear John, I was flipping channels last night and caught a fair portion of VH-1's "Where are they now ?" piece on ELP. I was hoping there might be some mention of the rumored reunion. But it ended with Keith saying that he always keeps a candle lit for ELP. I just found the ELP tribute CD with Robert Berry, John Wetton et al. I really like it. In fact my 9 year old now goes around singing KE9 1st Impression Pt 2. It's a nice break from Brittney Spears. Also, just got the new Rick Wakeman CD. Rather than a RW/KE tour ... how about a Rick Wakeman/ELP Tour using local orchestras ? Oh ... can you or anyone tell me if the backing vocals on the live version of Paper Blood from the RAH CD are live or recorded. My guess is that they were recorded. Keep up the good work! Thanks, Dan [ Editor's Note: The backing vocals during Paper Blood live were recorded. I think this was one of the songs where Carl wore headphones to keep the band in sync with the backing track that the vocals were on. - John - ] ------------------------------ From: Dave , on 8/2/99 1:42 PM: To: ELP-digest@reluctant.com Subject: An Evening with Lee Jackson 30th July 1999 Last night I was honoured and privileged to witness a performance by 'The Ginger Pig Boogie Band' featuring Lee Jackson on bass and vocals. Twenty five years had passed since I last saw him play and had the chance to speak to him (following a gig on the 'Refugee' tour). Several times during the intervening years I had made enquiries about his whereabouts and musical employment only to meet with a series of dead ends. Prior to the gig I had wondered what I might encounter, many of the first generation prog musicians I have met now appear 'burned out', cynical or disillusioned with their lot. But my reservations were unfounded, Lee is in great shape. I should explain that 'The Ginger Pig Social Club', as they named themselves that particular evening, have the same kind of flexible line up common to the late fifties/early sixties jazz scene. The band consisted of rhythm guitar, bass guitar, drums, brass section, keyboards, percussion and guest vocalist. The set consisted largely of jazz and rock standards (e.g. When the Saints). The evening was broken into two sets and, though Lee played bass throughout, during the second set he was given the spotlight and performed a couple of numbers including 'She ain't no good'. His voice was much stronger and well rounded than in previous days and he handled simultaneous bass and vocal lines with confidence but the most overwhelming feature was the energy of his performance which was nothing short of stunning and would blow away many musicians half his age. During the break I got the chance to talk to Lee, a conversation which was continued after the gig aided by a few jars of the amber nectar. He told me of his musical retirement following Refugee and Jackson Heights, of his twenty years in the States, about his interior decorating business and his eventual return to England and the stage. Several sources (e.g. rec.music.progressive) have in recent times suggested a degree of animosity and resentment on the behalf of Mr Jackson concerning Mr Emerson; this could not be further from the truth and I can categorically state that Lee Jackson holds Keith Emerson in very high regard both as a musician and individual. Lee plans a trip to Devon to stay with 'Blinky' (Brian) Davidson during August and they remain firm friends. Most exciting of all he is in the process of forming a new band and plans to be gigging in the foreseeable future. In short it was a wonderful evening. If you are in Britain (or just visiting) check out the 'Ginger Pig Band' who play monthly at 'The Black Bottom Club' in Northampton, you won't be disappointed. Dave Gooding ------------------------------ From: Drumrols@aol.com, on 7/12/99 10:27 AM: To: elp@reluctant.com Subject: Carl's Drums at Rock and Roll Hall of Fame? Hi John, I am going to the Rock and Roll Hall of fame the day after thanksgiving, and the only reason I even want to go is in hopes that Carl's stainless steel drumset is there. Do any of you out there know whether or not it has been put on display for certain as of yet? I plan on taking mega photos of this gem. Thanks very much. And thanks to all of you who have helped me with my past questions regarding Carl's drums, and ELP in general. I cannot wait to see them this next tour, plus my favorite guitarts of all time Steve Howe!!! Steve Barber ------------------------------ From: "Milo Sekulovich" , on 7/27/99 3:28 AM: To: Subject: Carl's drums Hi, i'm writing to clarify things in response to the inquiry about carl palmer's drumset circa 1973. contrary to popular belief, carl palmer did not use the stainless steel drumset on brain salad surgery. the drumset he used on brain salad surgery was a ludwig black vistalite set, with drums in the following sizes-6" 8" 10" 12" 13" 14" 15" concert toms, 16" & 18" floor toms, a ludwig 6 1/2"x14" supersensitive metal snare drum, and a 24" bass drum. he used this set from around march 1972 until the stainless steel set replaced it for the brain salad surgery tour, which commmenced in autumn 1973. the black vistalite sets had acrylic shells, and the shells were solid black. they were discontinued by the ludwig drum company around 1980. this particular set, to me, sounds much better than the stainless steel set. i have concert recordings in which he uses the black vistalites, and they sound just excellent. to see and hear this set, just watch the manticore documentary videotape-palmer plays it throughout. the stainless steel set is undoubtedly gorgeous visually, but to me it lacked a defined resonance. when you have shells 1/2" thick, resonance is sacrificed. additionally, stainless steel sets were always sonically a bit muddy. to me, palmer's stainless steel set sounded best around the works period. i hope this information is of help. thanks and all the best! regards, milo sekulovich ------------------------------ From: Gary Davis , on 6/3/99 4:05 PM: To: ELP-digest@reluctant.com Subject: Japanese Remasters Hi, folks: Just wondering how many people out there got themselves copies of the ELP Japanese remasters with the miniaturized covers. They sound great and I really love the miniature covers myself. But there's one thing I really had to laugh about. Each of the CD's comes with a lyrics sheet inside. At first I thought it was great since the first few albums never came with printed lyrics. But as I checked out the lyrics, it became painfully evident that the lyrics did not come from any official source. In fact, I would go as far as to say that the person who tried to figure out the lyrics definitely did not speak English as their primary language. Some of it is so bad it's laughable! Anyway, these CD's have gone pretty quick. At this point, the only titles I have left in the Artist Shop are Works 1 & 2 and Trilogy. Gary ************************************************************** Gary Davis The Artist Shop The Other Road http://www.artist-shop.com artshop@artist-shop.com phone: 330-929-2056 fax:330-945-4923 SUPPORT THE INDEPENDENT ARTIST!!! ************************************************************** Check out the latest Artist Shop newsletter at http://www.artist-shop.com/news.htm ------------------------------ From: "Smith, Jim M." , on 5/28/99 8:55 AM: To: "'rob.hurwitz@rsi-solutions.com'" Cc: "John Arnold (E-mail)" Subject: RE: Quick ELP Question Hi, Rob, In today's ELP digest, you asked: Could you tell me the name of the classical piece (and composer's name) that plays in the background as ELP takes the stage? There are actually two pieces, both by Otterino Respighi. The first part is the finale from "The Fountains of Rome". The second part is from "The Pines of Rome." The music at the end of ELP concerts is also by Respighi, the prelude to "The Birds" followed by the finale from "Church Windows." This and much more information is available in the "Keith Emerson Quotes List" at www.brain-salad.com. All the Best, - Jim Smith ------------------------------ From: "Smith, Jim M." , on 5/28/99 11:12 AM: To: "'Hurwitz, Robert RSI08'" Cc: "John Arnold (E-mail)" Subject: RE: Quick ELP Question (#2) > -----Original Message----- > From: Hurwitz, Robert RSI08 [SMTP:Rob.Hurwitz@rsi-solutions.com] > Sent: Friday, May 28, 1999 10:55 AM > To: Smith, Jim M. > Cc: John Arnold (E-mail) > Subject: RE: Quick ELP Question > > Hi Jim, > > Thanks for the response...when I've seen ELP in concert, the song I > hear is what I'd refer to as the "CanCan Song", and it's a very powerful > recording of that piece. Would that be found in the compositions by > Respighi? > [js] Gee, Rob, I associate "Can Can Song" with Offenbach's "Orpheus in the Underworld" or "Gaite Parisienne." Is that the piece you're thinking of? I don't recall ever hearing that at an ELP concert, nor has anyone reported it to the Keith Emerson Quotes List. Fountains of Rome has some of thatfeel at times, though... Interesting mystery... Let me know if you find out any more about this. - Jim ------------------------------ From: Peter Wilton , on 5/28/99 11:59 AM: To: Arturo Camacho Cc: arnold@reluctant.com Subject: Re: Tarkus In message , Arturo Camacho writes >> dear sir do you have any idea about the tarkus story? >> what does this huge armadillo represent? >> is stones of years a robot or half a beast and half a machine like the >> others beasts? >> why a mammalian from south america who expanded towards north america? >> does mass represent religious fanatism? >> why iconoclast is the only flying beast? >> is it true that a manticore is a human eater beast with an unpleasent >> voice like some trumpets blown with terrible hateness? etc. etc. >[ Editor's Note: I know that there was a flurry of postings about people's > conjecture about the symbolism of Tarkus in the Digest a > few years ago. I don't recall if there was any kind of > consensus other than that I think the pictures on the > album cover were done well after the album was recorded. > So, those pictures don't necessarily have a direct link > or effect on the music/lyrics. But if somone wants to take > a stab at summarizing the various interpretations, let > me know. - John - ] > Macan (Rocking the Classics) had a go at relating the symbolism of Tarkus to an analysis of the musical form. Though since, as is said above, the piece was composed before the concept was added, I don't know how seriously to take that kind of analysis. -- Peter Wilton The Gregorian Association Web Page: http://www.beaufort.demon.co.uk/ ------------------------------ From: "Donovan Mayne-Nicholls" , on 6/1/99 6:31 PM: To: elp-digest-web@reluctant.com Subject: need info Dear Team at ELP Digest, I've just listened to the Welcome Back CD and the 74 stuff in the King Biscuit CD very recently and I couldn't stop noticing that the Piano Improvisations are uncannily similar (which is not the case with the California Jam portion on Then & Now). Is there any material on Welcome Back drawn from the Tulsa gig? Does anybody know for certain where each Welcome Back track was actually recorded? I'd appreciate if you could enlighten me about (particularly) the second query, as I've been compiling a chronological guide to ELP officially released recordings. Donovan Mayne-Nicholls ------------------------------ From: Melis Adriano , on 7/2/99 9:35 AM: To: elp-digest@reluctant.com Subject: 1st results of ELPoll... dear friends, here it is.... -- _________________________________________________________________ | Adriano Melis e-mail: melis@cagliari.st.com | | CLASS Lab phone: +39 70 2103.262 | | iSTB Project Software Group fax: +39 70 2103.241 | |TECHSO SpA - Cagliari - ITALY | | | |_______________ M U S I C I S T H E B E S T ______________| Hi John Here are the results of the postings I received about the ELPoll I launched a couple months ago: 1 4th Plane Jaiant 1 After the Fall 1 Asia 3 Beatles 1 Bobs 1 Bon Jovi 1 Billy Bragg 1 Cairo 1 Capercaillie 1 Celtas Cortos 1 John Coltrane 2 Deep Purple 1 ELPowell 1 Enya 1 Faith No More 1 Fairport Convention 6 Genesis 2 Gentle Giant 1 Jimi Hendrix 1 Huayucaltia 1 Janison Edge 3 Jethro Tull 1 Kansas 3 King Crimson 1 KingsX 3 Led Zeppelin 1 Pat Metheny 3 Moody Blues 1 Patrick Moraz 4 Nice 1 October Project 1 Oingo Boingo 1 Oyster Band 1 Alan Parsons 3 Premiata Forneria Marconi 5 Pink Floyd 1 Procol Harum 1 Queen 1 Rush 1 Saga 1 Raymond Scott 1 Jane Siberry 1 Sky 2 Spock's Beard 1 Steeleye Span 1 Steely Dan 1 Ten Years After 2 They Might Be Giants 2 Triumvirat 1 U.K. 1 Uriah Heep 1 Stevie Ray Vaughan 1 John Wetton 1 Rick Wakeman 1 Wigwam 10 Yes 1 Frank Zappa ----------------------------- 95 (ONLY 19 people) The "winners", not much a surprise, :-) , are: 10 Yes 6 Genesis 4 Nice 3 Beatles 3 Jethro Tull 3 King Crimson 3 Led Zeppelin 3 Moody Blues 3 PFM - Premiata Forneria Marconi I would be pleased to continue maintaining the list, so if someone wants to post me his/her preferences (the topmost listened artists beyond ELP) is welcome. To do so, follow these guidelines: - send me an email with in the subject - write in the names of your favourite 5 artists/bands beyond ELP - wait until I organize the data and send an updated summary to John to be put on the DIGEST. While I'm happy for the presence of PFM, Crimso, Zep..., I'm a little disappointed about the average age of all these artists, and about the restricted musical areas to whome they belong (prog/classic rock), since while I'm an old time fan of ELP, at this time my musical horizons, so to speak, vary from Mongolian twiddletongue singers to Steve Coleman's almost jazz experimentations... A strong embrace to you all anyway, and let's hope for the re re re reunion of ELP ASAP. Ciao Adriano ------------------------------ From: "Fred S. Loeper" , on 7/2/99 2:13 PM: To: arnold@reluctant.com Subject: St. Peter's Thieves Sir, I love ELP Works album. In "Lend your Love to Me Tonight" there is a line "...while St. Peter's theives debate" Do have any idea what this means? Can you point me in the right direction? I think it has something to do with early Catholic history but my efforts on the Catholic websites have proved fruitless. I don't know if this is the sort of question you answer, but i'd like to know if you can help. Fred Loeper loeper@jhs.tohoku-gakuin.ac.jp ------------------------------ From: Arturo Puerta , on 7/12/99 5:06 PM: To: "'elp-digest@reluctant.com'" Subject: Searching for lyrics... Hi folks...this is not the first time I send to you this request....but so far nobody answer my petition...so once again...I'm begin you...where can I find the complete lyrics of: WORKS VOL.II and IN THE HOT SEAT...??? I need also the lyrics for VACANT POSSESION (E, L & POWELL) I hope this time I have a better luck...thanks in advance.... Arturo Puerta Montes apuerta@coflex.com.mx ------------------------------ From: "Peter C.S. Adams" , on 7/14/99 11:27 AM: To: ELP-digest@reluctant.com Subject: Re: ELP on Fox A couple of people pointed out that ELP music was on Fox TV: > Fox has done it again...they used ELP's "Fanfare for the Commaon Man" for > Robbie Knievel's Grand Canyon Death Jump on May 20!!!!!!!! I forgot to post last spring that ELP was used twice on NBC's National Basketball Association Valentine's Day Special. I forget now the second one, but when Tom Gugliotta was describing how lucky he was to be in the NBA and have such a wonderful wife, they played, yes, you guessed it, "Lucky Man." -- Peter "Aquatarkus" Adams ------------------------------ From: "Peter C.S. Adams" , on 7/14/99 1:18 PM: To: ELP-digest@reluctant.com Subject: Another Emerson Inspiration? Not to detract from the encouraging reunion rumors, but reading a recent post about Emerson's "Top 12" made me recall this.... I was listening to "Morning Pro Musica" on WGBH radio in Boston a while back, and my ears did a double take, if such a thing is possible. It was Keith Emerson -- or was it? In fact, it was the Piano Concerto op. 31 by Miklos Rozsa, who, like Emerson, is better known for film scores than his classical music. I'll spare you the travails of finding this piece. Suffice it to say while it is called (at least in one place) "Spellbound," it is a separate piece entirely from the "Spellbound Concerto" he wrote for the Hitchcock movie. After buying both, I found it less like Emerson than I originally thought, but still of interest. There are definitely places you'll think are Keith. Undoubtedly they were both inspired by the same, or similar, artists. Among other places, you can find this piece on "Miklos Rozsa: The Complete Orchestral Music, Vol. V: Concertos for Piano and Cello," available at: If you're interested, the other is a 12-minute piece recomposed from the score for "Spellbound." It is of interest for its use of the theremin, an early electronic instrument that may also have had an effect on Emerson. For the album "Warsaw Concerto and other Piano Concertos from the Movies," see . For information on the theremin, there are numerous sources. One I found, , has some theremin sounds playing on the web page and describes Led Zeppelin's use of it and how it influenced Bob Moog. Another CD you may be interested in is John Williams' score for "The Phantom Menace" (the new Star Wars movie) which is better than the movie itself. I was struck initially by a similarity (in style) between the vocal piece "Duel of the Fates" and Keith's "Mater Tenebrarum" from "The Emerson Collection." If that's your only reason to buy, don't, as the similarity is not great, but it's of interest. You can get it at: BTW for those of you looking for hard-to-find Emerson and ELP material like "The Emerson Collection," I have found (but not yet tried) another place to search. It's "GEMM: The World's largest catalog of Music" at and they are basically a clearinghouse for used music sellers. I saw some 7" singles and some titles I'd never heard of when I did a search for "Emerson," and the Power Search is quite powerful, allowing you to specify only CDs, only a specific video format, etc. Well worth a look, even if you don't trust them enough to buy. BTW again: I saw on an old article about the possible new ELP project. It was dated December 3, 1998, so it's out of date, but did have a tantalizing description: "So far, keyboard virtuoso Keith Emerson has laid down a twenty-five minute tape of rough cuts that Palmer says he will work from during a creative brainstorming session in London this January. The new material, he says, is accented by strong melodies and elaborate instrumentation -- trademarks of classic ELP albums like 1971's Tarkus and 1973's Brain Salad Surgery." You can read the whole article at Whew! Sorry to take so long! I guess I just can't stop surfing! :-> -- Peter C.S. Adams Cross the Rubicon! ------------------------------ From: Richard McNichols , on 7/23/99 3:27 PM: To: "'arnold@reluctant.com'" Subject: Live at the Royal Albert Hall Rondo (after America) 7:12-7:27 re: Live at the Royal Albert Hall Rondo (after America) 7:12-7:27 I tried to figure out from the quote list the composer and piece being quoted here but couldn't. I heard it in classical form on WNIB Does anybody know? Thanks! Rich McNichols ------------------------------ From: Dave , on 7/25/99 11:42 AM: To: elp-digest@reluctant.com Subject: Five Bridges - High Level Fugue (Manuscript) Hi John, Glad to see that the digest is going strong. I wonder if anyone out there can help me with this one: Does anyone know of a source for the score (manuscript) of the 'High Level Fugue' contained in the 'Five Bridges' suite by The Nice? Dave Gooding ------------------------------ From: "adrian goldwater" , on 7/28/99 11:16 AM: To: Subject: ELP Sale ELP, 1p ‘Manticore Ltd’ notepaper +1 sheet 6 promo stickers 14.00 ELP, b/s pass B/w logo in plastic clip early ‘73/74 5x8cm 27.00 ELP, Concert poster Fairfield Hall Croydon 25/10/72 51x76 110.00 ELP, Concert Programme UK 1970 55.00 ELP, Flyer De Montfort Hall 7/4/72 15x28cm cond EX 29.00 ELP, Handbill Newcastle City Hall 15x26cm. 04/10/71 22.50 ELP, Handbill Newcastle City Hall 15x26cm. 04/10/71 48.00 ELP, Handbill Newcastle City Hall 15x26cm. 04/10/71 49.00 ELP, Original glued layouts for fanzines May ’76 & Apr ’77 30.00 ELP, Original layouts for Newsletters Apr/May/Sep/ ’76 59.00 ELP, Poster ‘Fairfield Hall Croydon 25/10/72?’ 51x76 EX 110.00 ELP, Poster Cardiff 23/11 early 70’s 76x98cm EX 60.00 ELP, Programme/poster UK ’71 & Trilogy UK programme ’72 ea. 20.00 ELP, Ticket Jackson, Mississippi Coliseum USA 25/10/77 MINT 9.00 ELP, Triangular backstage pass-sticker green/white 19/9/86 7.50 ELP/MANTICORE, A4 sheet with 6 yellow stickers MINT 19.00 ELP/MANTICORE, Sheet A4 size Company Headed notepaper MINT 11.00 ELP/TED NUGENT/J.GEILS BAND, b/s sticker ‘Three Rivers Fest’13.00 ELP/TULL/CAT STEVENS/L.RUSSELL, Berkley Concert poster b/w 45.00 [ Editor's Note: As with all buying/selling postings in the ELP Digest, please remember that the ELP Digest is in no way affiliated with anyone offering goods for sale in the Digest. - John - ] ------------------------------ Digest subscrition, mailing address, and administrative stuff to: elp-digest-request@reluctant.com ELP-related info that you want to put in the digest to: elp-digest@reluctant.com Back issues are available from the ELP Digest web site: URL: http://www.brain-salad.com/ Note: The opinions, information, etc. contained in this digest are those of the original message sender listed in each message. They are not necessarily those of the mailing list/digest administrator or those of any institution through whose computers/networks this mail flows. Unless otherwise noted, the individual authors of each entry in the Digest are the copyright holders of that entry. Please respect that copyright and act accordingly. I especially ask that you not redistribute the ELP Digest in whole or in part without acknowledging the original source of the digest and each author. Thanks! ------------------------------ End of ELP Digest [Volume 9 Issue 7] *************************************