ELP Digest 19 May 2002 Volume 12 : Issue 6 The "Honky Tonk Train Blues" Edition Today's Topics: Breaking News, Rumors, Etc. - Carl Palmer Drum Clinic in Germany (May 2, 2002) - Antwort: ELP Digest Vol. 12 #5 (May 6, 2002) - Carl Palmer Band in Germany (May 12, 2002) - Emerson Plays Emerson review and photos online (May 13, 2002) - Keith is on May 19s (May 15, 2002) - Great ELP feature in Classic Rock (May 15, 2002) - Emerson plays Emerson showcase (May 17, 2002) Reader Commentary - Best of the Bootlegs - track listing (May 11, 2002) - ELP and UK Football (May 14, 2002) - ELPeople - ELP Tribute Band Gig, 01 Sep 02, Crewe (May 16, 2002) - (untitled) (May 17, 2002) Questions (and Answers!) - thanks (May 4, 2002) - Re: ELP Digest Vol. 12 #5 (May 8, 2002) ELP-related products, tribute bands, promoters (The ELP Digest does not endorse, etc.) - CP & ELP tribute up-date (May 8, 2002) - carl palmer italian trio (May 8, 2002) =========================== Prelude =========================== Hi. I'm rushing this Digest out in hopes that I can get in touch with some of the UK readers who are interested in an appearance by Keith on the radio tonight - Sunday, 5/19/2002. (Details below). Also, we've got more reviews of Keith's CD launch event and Carl Palmer appearances. Including a URL (web reference) to an online review of Keith's launch party with pictures! - John - ------------------------------ Latest News from the Official ELP sites .… On Keith's home page http://www.keithemerson.com/ there is this announcement: "Tune into an interview with Keith by Bruce Dickinson of (Iron Maiden) The Freak Show, 9:00 p.m. (UK Time) Sun. May 19." More info is available on the "What's New" page at http://www.keithemerson.com/whatsnew.html Greg's home page has a link to this special announcement http://www.greglake.com/dates.html about continuing promoter problems. The text is as follows: "Greg Lake has asked us to make it clear to all his fans and supporters that there has never been an appearance for him booked at the Boerderij venue in Zoetermeer, Netherlands on May 24th, 2002, or for any other date. Neither Greg Lake nor Carl Palmer's solo group will be appearing in Holland on that date, and Greg Lake will not be appearing at any of the Palmer shows in any capacity, either as a solo performer or as a guest. The promoters have been notified of the error, which has appeared in both trade publications and on the Internet, but have not as yet corrected the error. In a brief statement Mr. Lake said he hoped none of his fans have been inconvenienced or duped by this false advertising and added: "I am appalled with whoever was responsible in using my name to mislead the public in this way."" Carl's site has a May update with new info on upcoming concert, drum clinics, etc. – check out http://www.carlpalmer.com/news.html =========================== Breaking News, Rumors, Etc. =========================== From: Prott, Bernd [bernd.prott@meadsintl.com] Sent: Thursday, May 02, 2002 5:24 AM To: 'elp-digest@reluctant.com' Subject: Carl Palmer Drum Clinic in Germany Hello ELP fans, finally a dream 'came true for a hobby drummer like me. Carl did his first drum clinic in Germany. On Sunday(March 17th) I found a note on Carl's web page that on March 19th and 20th there are 2 drum clinics scheduled in Germany - but no time and place given :-( On Monday a phone call to the German section of the PAISTE company gave me this most wanted information. Actually I made it to the clinic in Waldkirch close to Freiburg near the Black Forrest. It took me a 3 and 1/2 hours drive from Munich through really nasty weather (it was pouring with rain all the time) until I arrived at about 5p.m at the DRUMHOUSE, a small but well assorted drumshop in the little town of Waldkirch. I was the first to arrive and only the shop owners and 2 PAISTE people were there at that time. I quickly reserved a front seat and then examined the latest addition to Carl's drum inventory. There it stood in all beauty, the custom made "Spirit of 2002" drumkit completely made out of PAISTE cymbal alloy by Jeff Ocheltree, the former drum tech of John Bonham. It had the typical set up that Carl is using since 92 with 2 bass drums, 2 Tom-Toms and 2 Floor Toms and a snare. No gongs or other percussion stuff was there. The snare was placed separate to the kit and I dared to pick up sticks and play some rolls on it. The attack and sound of this snare was breathtaking (as is the price of the kit, handmade by Jeff Ocheltree for Carl at $35,000, - each drum was signed "for Carl Palmer" by Jeff ). At 7:15 p.m. Carl arrived at the shop, which was filled now by some 70 plus people. It was interesting to see how many kids had shown up, which weren't even born in Carl's prime time. But you could also see bags full of good old vinyl ELP album covers earmarked to become autographed later. Carl had his typical charming boy smile and was well tanned by the Teneriffe sun. He changed cloths, as he had got his fair share of German rain pouring down on him on his short way from the parking lot, but at 7:40 the clinic began on time. First he welcomed everybody and excused himself for not being able to speak German. He made the point that this actually should be his first ever clinic in Germany, even though he wasn't sure if there had been one back in 1980 when he worked with PM in Germany. Carl explained that, when he began drumming at the age of 11, he only had a snare drum to practice, therefore he wanted to open with snare drum solo to show how much can be done with this single instrument alone. I was sitting a maximum of 2 meters away, as he performed his solo and this was a breathtaking start into the evening. I must have stared at his fingers in such a way that Carl turned to me (still playing) and joked "hey, do I have to expect competition pretty soon, the way you record my hands with your eyes". After this Carl went deep into the details of his stick Control techniques and how to employ especially index and middle fingers to gain speed in addition to normal wrist movement. He picked up a practise pad and went through the rows of the audience, for each and every drummer in the audience who wanted to watch it in close-up view, he showed his technique at face level. Then he showed other rudiments on the snare to focus on the effect of his finger control. After his snare part he turned to his new kit. He explained the background of the piece he intended to perform, named "Moroccan Market", Carl had heard the basic tune while browsing over a market place in Morocco, watching some (obviously stoned) folks sitting there making music. The little tune had caught his interest and he recorded it with a little recording device. Based on that he worked out the respective drum piece. He joked to the audience "whenever you hear something great from me, I most likely have "stolen" it somewhere". I didn't stop-watch his solo, but it must have been a good 10 minutes long and again Carl at his best, with a precision of a Swiss clockwork. In between his solo he used his bare hands and little hand cymbals to hit the drums, something not normally known for him. In the last couple of month some people complained about Carl being no longer as good as he once has been or that he eased down his drumming. Be it as it may, this evening he showed what it means to be a drummer's drummer. I have seen him many times on stage since June 1971 and he still can perform as good, as fast, as complex, as precise, as.. you name it, like in his early days. He just doesn't do it all the time, but only when it is time to do it, maybe he just turned from a young and "eager to show-off" drummer to a wiser drummer. BTW he mentioned that he still practises up to 2 hours each day, never in a single period but spread over usually three 30 to 45 minute sessions. One advice he also gave to other drummers, "think in advance what you want to practise, start on the pad, never start on the kit. The pad keeps you focused on the basics like stick control, the kit is for working out established ideas". Later that evening he explained it in detail that he usually plays to the need of the respective music style of the band he is in, which is different between e.g. ELP, PM, ASIA. With ELP Carl wanted to back-up for the missing lead guitar to add complexity to the already complex keyboard patterns laid out by Keith. On the opposite, with ASIA he could forget about that as both lead instruments were present. Carl warned everybody that it might become a bit loud inside such a small place, even without any miking and amplification of the drum kit and it got really loud inside the maybe 150 square meter room, but nobody complained. Like the great John Bonham Carl doesn't hit real hard, he hits in the right way to make the drums sound loud. He showed the difference and explained that he almost never breaks a stick or a drumhead. Afterwards Carl showed a lot from his box of tricks on the HiHat, he showed how to gain maximum yield out of the 2 cymbals and not just the top one, always with some jokes in between. He showed stick techniques he adopted from very early drummers of the 20ies and of course his great idol Buddy Rich. First he showed everything in slow-motion to give us a chance to understand what he was doing, then he played at CP speed, which is more than enough to cause a hobby drummer's breakdown :-) In the meantime the audience had warmed up as well and more and more questions arose wrt his techniques, only a few questions were asked wrt to ELP or his new PALMER project. Then Carl showed what he believes is the almost lost art of Brush playing and there he also had some special tricks, e.g. rolling the brushes over the drums creating sparkling like sounds. Another solo and it was "Guess an ELP piece - win yourself a PAISTE T-Shirt" time. Carl played a groove and we had to guess the ELP piece. In less than 2 beats I shouted TANK, and got my T-Shirt. Carl joked, "This guy is too good, this way I never win my own PAISTE Shirt", I answered "OK Carl, I will shut up the other 2 rounds, to give you a chance not to go home freezing". Laughter on all sides and now it was clear to the last that Carl is no untouchable superstar, but a great, down to earth chap, you can really have fun with. Carl went on showing his art for almost 2 hours, always willing to answer questions right on the spot or to show something again to everybody who wanted to see it. He also talked a bit about his PALMER Project that he will take on tour through Europe soon for about 60 shows and that he will release a live-album later this year. He also showed some tricks how to pick really good sticks or to test if a stick is cracked inside, even though shop owners might not like those tests, but he stated "Folks, it's your money, don't let them put junk in your bag" then he joked "I better shut up as I haven't paid for sticks in the last 30 years". Again laughter all over the place. He explained his way of double bass playing and that he practises that along the melodies of typical "Best of the Charts" Records ("but I won't tell which ones" he joked). He gave examples for that, playing melodies just on double bass including some closed roll type fills you normally play on the snare - unbelievable. BTW He doesn't have these new SONOR double header pedals for each bass drum, I saw it myself. He also explained his approach to soloing and than finished the night with another great drum solo, where he threw out all stops and reached marathon length and unbelievable speed and groove. Just for the bean-counters :-), he really missed just one time when he actually hit between his 2 Tom-Toms. At about 9:30 the "official" Clinic ended. Now many people lined up to receive autographs. Some people had dozens of album covers but got each one autographed without complains. I got a snare drumhead and my old 1973 "Get me a Ladder" Tourbook autographed and Carl joked "Hey, you Germans must be really keeping everything, I signed such a booklet yesterday in Frankfurt (Music Fair)". After all autograph wishes had been patiently fulfilled by Carl, the room started to empty and at the end we sat in a small round of 6 people. Here I took my chance to chat with Carl. We talked about ELP. Carl stated that he isn't really sure what will happen. ELP might do some charity shows here and there, but most likely no lengthy touring anymore :-((( but we have to live with that. Related to that, a new ELP album is currently very unlikely to happen. Carl also stated "a couple of days later I will meet Greg for dinner. We always have such meetings here and there and with Greg you never know what comes next". Carl doesn't want to do more than 50 or 60 shows a year, but wants to have more time with his family and wants to do more drum clinics. He also stated that it is very important for him that people who attend his clinics, learn something to take home and practice themselves. I assured him that I did learn a lot that night, especially as I play traditional grip like Carl and my drum teacher doesn't know the secrets anymore, as he only learned match grip. We came back to some of his stick techniques. Again he showed me everything I asked for and he even took me to his kit to verify that I had understood his explanations. Honestly, I was on cloud #9; getting a private lesson and playing Carl's kit for a moment. At the end he handed me his drumsticks as a present. I asked him about this new brass kit and if he wasn't afraid to break through stages again. He laughed and stated, "No, this one is not as heavy as the good old stainless steel kit, but sounds much better", it really does Carl. He invited me to lift one of the bass drums, these gems still bring about 80lbs on to the scales - poor roadies. At about 11pm I had to leave, Carl and I shook hands and he stated, "thank you for driving 200miles just to attend my clinic, get home safe". Another 3 hours later, driving again through nasty weather, I was back home, still totally happy. It was a great evening with Carl, far beyond everything I had expected, especially when talking "drums" with him. Thank you Carl for your time. Now a drumhead hangs behind my own drumkit on the wall of my practice room "Bernd, keep on drumming, it will do you good. Best Wishes Carl Palmer" Sorry all you Non-Drummers, for being XXXL in length of description. Take Care, Bernd Prott --------------------------------------------- From: Peter.Hoscheidt@rwesystems.com Sent: Monday, May 06, 2002 4:00 AM To: ELP-digest@reluctant.com Subject: Antwort: ELP Digest Vol. 12 #5 Dear John, just a short note to say, how much I do like to receive the digest, every time it is coming. And now: Saturday night, the 4th of May, Hannover (Germany) Blues Garage. The event: Carl Palmer and band. About 200 people came to this concert. I wish, it would have been more. After all these years, CP is much, much more than a most talented drummer, he is a really gifted entertainer. Of course he played a lot of the old elp stuff, but he also gave space for his two band members. All together they made an excellent job. After two hours time all the people were extremely happy and I hope, it has not been the last time, that Carl Palmer came to Germany. With kind regards from Dortmund Peter Hoscheidt --------------------------------------------- From: Ralph Sommer [ralph.sommer@t-online.de] Sent: Sunday, May 12, 2002 7:20 AM To: elp-digest@reluctant.com Subject: Carl Palmer Band in Germany Hello, At the beginning of May 2002 the band started touring Germany. There were four gigs: - Krefeld, 1st May 2002 - Wetzlar, 2nd May 2002 - Hamburg, 3rd May 2002 - Hannover, 4th May 2002 The first gig in Krefeld was not announced on the Internet, so only a few people knew of this one. The concerts had, as far as I know, the following setlist: - Hoedown - Barbarian - Enemy God - L.A. Nights - Prince Of Rags - Dave - Medley - Whales - Shaun/Dave - Tank - Bullfrog - Strike Up The Band - Toccata - Canario - Tarkus - Fanfare For The Common Man, with solo Carl - Carmina Burana It is wonderful to listen to the music of Emerson, Lake & Palmer played not with an organ but with a guitar. As Carl said it was not possible to find a guitarist playing ELP songs years ago. Now he found Shaun Baxter who is able to do this job in a great way. It really rocks! Shaun told me he had only the music and no notes to find the right tunes on the guitar. They had only one week for rehearsals and then started the tour and the live recording. Dave is playing the bass in an excellent way. Especially in his solo, I call it Medley, he shows his great technique in playing the six-string-bass. It really grooves! Carl is playing his old Yamaha drumset, but with his new snare drum: The 14x5 inches Spirit Of 2002 Snare Drum made of recycled 2002 cymbals from Paiste by Jeff Ocheltree which has a really significant sound of clear attack. The 2002 series of cymbals is also Carl’s best known sound during all the years with ELP. So this snare drum seems to be part of his music. Carl’s drumming is as superb as I know it through all the years. His, on the one hand heavy, on the other hand sensitive playing has never been heard again in rock music. Neither in the past nor in the present. He is accurate and playing with high concentration. The pieces played on the gigs show that he is rock music’s top drummer - unbelievable this man’s energy! Listen to Toccata and You will know what I mean. His drum solo is a highlight in the shows and - You can see that he is like motoring: "The warmer I can get the faster it is." That’s true, Carl! Double bass drum playing and his stick techniques, stick-to-stick, drum roll on snare with decrescendo and crescendo or even playing with the sticks on the hardware like on the Hi-Hat stand or one stick on the upside of the cymbal the other downside that are only a few specialties of Carl. These characteristics of his drumming make him unique and great. Best Greetings Ralph Sommer --------------------------------------------- From: arnold@reluctant.com Sent: Monday, May 13, 2002 7:54 AM To: John Arnold Subject: Emerson Plays Emerson review and photos online. Here is the link: http://www.users.waitrose.com/~douganderson/elp/02apr09.htm Thanks, Doug! Thanks for putting the photos on the web so we all can see them. - John - --------------------------------------------- From: Bjørn Are Davidsen [bjorn-are.davidsen@telenor.com] Sent: Wednesday, May 15, 2002 4:35 PM To: elp-digest@reluctant.com Subject: Keith is on May 19s According to his website Keith is on Bruce Dickinson's "The Freak Show" May 19, 2002 Keith will be interviewed by Bruce Dickinson of Iron Maiden this Sunday, May 19 at 10:00 P.M. (UK Time). Tune in with Real Audio. The RA feed will be available at www.bbc.co.uk/6music Yours Bjørn Are --------------------------------------------- From: Bjørn Are Davidsen [bjorn-are.davidsen@telenor.com] Sent: Wednesday, May 15, 2002 4:36 PM To: elp-digest@reluctant.com Subject: Great ELP feature in Classic Rock The latest Classic Rock has the best ELP feature since the Manticore Tapes in Music Scene in 1974! 15 pages of pictures, praise (though sometimes a bit too exaggerated) and new info! One of the tidbits was that the bootleg box sets was a result of Carl finding some bootlegs in Japan a few years ago. This means that neither the band nor their management have been sitting on these tapes for years, and picking the "best available ones". Hence there may be better ones in store. It may also mean that if someone sends Carl better tapes, they may be officially released in the future;-) Yours Bjørn Are --------------------------------------------- From: Progmerock@aol.com Sent: Friday, May 17, 2002 5:15 PM To: ELP-digest@reluctant.com Subject: Emerson plays Emerson showcase A belated, but very sincere HUGE thank you for giving me the chance to see my all time hero in the flesh. What an evening it was!!!!!! I just couldn't believe my luck to be one of the lucky winners of the competition. Not only did I get to meet KEITh, talk to him about his autobiography and thank him personally for all the wonderful music over the years I also got his autograph and had my photo taken with him which is just a dream come true. What a wonderful human being he is. Nothing was too much trouble for him, and his patience and humour with the fans was a joy to watch I left the 100 club that evening with a huge grin on my face, and the bag of goodies was an added bonus, especially the wonderful CD which is every bit as good as I expected it to be. Another plus was meeting Even, Tina and David. Not competition winners but true fans. It was so nice to meet them and have this special evening forming a bond between us. I really can't thank you enough for giving me this wonderful opportunity. Just to put the icing on the cake the following week I saw Carl Palmer at The Stables and got to meet him also.!!!!!!!!! 2 out of 3 can't be bad in just over a week, can it. Lesley =========================== Reader Commentary =========================== From: Bjørn Are Davidsen [bjorn-are.davidsen@telenor.com] Sent: Saturday, May 11, 2002 1:31 PM To: elp-digest@reluctant.com Subject: Best of the Bootlegs - track listing Here's the track listing: 1. Hoedown (13-8-1972 Saratoga Springs) 2. Knife edge (1-9-1971 Gaelic Park NY) 3. Pictures at an exhibition (28-6-1972 Long Beach Arena) 4. Take a pebble/Lucky man (28-6-1972 Long Beach Arena) 5. Tarkus (21-4-1972 Louisville Twon Hall) 6. Endless enigma (13-8-1972 Saratoga) 7. Nutrocker (21-4-1972 Louisville Town Hall) 8. Jerusalem (26-3-1974 Henry Lewit Arena) 9. Pirates (30-11-1977 Civic Centre New Haven) 10. Karn evil 9 (1st impression - 26-3-1974 Henry Lewit Arena) 11. Still you turn me on (26-7-1974 Rich Stadium Buffalo) 12. Barbarian (1-9-1971 Gaelic Park NY) 13. C’est la vie (30-11-1977 Civic Centre New Haven) 14. Fanfare for the common people (30-11-1977 Civic Centre New Haven) Seems like a competent selection from the Bootlegs, though I really think the 1974 Tarkuses are best, not to mention Pictures from Buffalo, and miss the piano solos. The last track must be a new one;-) Yours Bjørn Are --------------------------------------------- Message From: Wawryk, Tony [twawryk@UPCTV.COM] Sent: Tuesday, May 14, 2002 11:20 AM To: 'elp-digest-web@reluctant.com' Subject: ELP and UK Football Hello John, Haven't written to the Digest for a long time, but still read it diligently - am hoping someone heard KE's appearance on Radio 3s 'Stables' programme - I missed it totally, unfortunately, and would love to know what it was like. Thought fellow Digest readers (Digesters? Digestives??) would be interested to know that ELP's version of 'Fanfare...' was used to accompany the teams - Stoke City and Brentford - out onto the Millennium Stadium pitch for the English Division 2 play-off final last weekend. Better still, my team (Stoke) won! Perhaps they were simply more inspired by the music.... Have ordered my 'Emerson plays Emerson' - hope it arrives soon! Thanks for all your work in keeping the Digest going! Best regards Tony Wawryk --------------------------------------------- From: Angeline Swift [mail@achswift.fsnet.co.uk] Sent: Thursday, May 16, 2002 12:24 PM To: elp-digest-web@reluctant.com Subject: ELPeople - ELP Tribute Band Gig, 01 Sep 02, Crewe Hi folks, The other day I was chatting with Eric Harvey when he suddenly mentioned that he had discovered a new ELP tribute band - 'ELPeople'. The next thing I knew was that an amazingly authentic excerpt from Tarkus was pounding down the phone line! Even the vocals sounded great, really Lake-like. Only the drum part had been slightly simplified, but still sounded good. Anyone who can play such a credible version of ELP music in a group context gets my full attention! A couple of days later Eric had sent me an ELPeople CD and the best surprise for me (apart from a superb instrumental version of Trilogy, performed with a flute), was that the band have written and performed some of their own compositions - Devonshire Crescent and For What - on the disc. These are gentle groove based pieces which really grow on you. Eric is promoting ELPeople at the Limelight Club in Hightown, Crewe on 1st September, 2002 (www.thelimelightclub.co.uk). I'll be there, etc! David Swift --------------------------------------------- From: Dave Bailey [davidbailey@fenetre.co.uk] Sent: Friday, May 17, 2002 11:41 AM To: ELP-digest@reluctant.com Hi John After buying Keith's long awaited album, and playing it over and over, I am now ready to give my verdict. The album is a nice mixture of old and new tracks, with some sounding as if they were recorded at a practice session. Although this album is purely piano based, it shows Keith at his best, on his favourite instrument. This album is a must for all die hard Emerson fans, and I wait in anticipation, for the next project from the master Best regards Dave Bailey Stoke-on-Trent England =========================== Questions (and Answers!) =========================== From: Geoff Parsons [gefp@comcast.net] Sent: Saturday, May 04, 2002 11:08 AM To: elp-digest@reluctant.com Subject: thanks Just a thank you for the excellent ELP information you so graciously supply us with. It obviously takes a lot of your time to keep up with. Any chance of a U.S. release party? I live in NJ but would have flown to England to see that one had I had the chance. I haven't missed an ELP ( or solo )performance within 100 miles of the Philly area since 1974 and am willing to go the distance now, due to the rarity of performances. I've been wondering if there is anyone on this list from the Philly area who remembers the ELP sedan-delivery car that used to show up at every ELP concert. The guy was a master artist and had images from all ELP albums painted all around the vehicle. Would love to see it again. Geoff Parsons --------------------------------------------- From: Simon Griffiths [simon_griffiths@email.com] Sent: Wednesday, May 08, 2002 5:37 AM To: ELP-digest@reluctant.com Subject: Re: ELP Digest Vol. 12 #5 >>> From: Russ [karnevel@pacbell.net] >>> Sent: Monday, March 25, 2002 9:05 AM >>> To: ELP-digest@reluctant.com >>> Subject: Re: ELP Digest V. 12 #3 >>> >>> With regards to the question of ELP's 'only' top 40 hit, I know >>> that they actually had more than one, but if you are asking 'what >>> was their highest top 40 hit', then believe it or not, it was >>> 'From the Beginning' from the Trilogy album (not 'Lucky >>> Man' or 'Still You Turn Me On'). >>> >>> I remember hearing somewhere that it went to # 2 on the Billboard >>> charts after Trilogy came out. >>> >>> Other top 40 hits (if I remember correctly) were: >>> Lucky Man >>> Still You Turn Me On >>> C'est La Vie >>> Karn Evil 9, 1st Impression, pt II >>> >>> Russ Spreier There was also "Fanfare to the Common Man" - that was on the UK BBC top 20 in the late 70s. Simon Griffiths Johannesburg, South Africa Email: simon_griffiths@email.com =========================== ELP-related products, tribute bands, promoters (The ELP Digest does not endorse, etc.) =========================== [Editor's Note: 2 Notes mostly in Italian about Carl Palmer and/or ELP Tribute band appearances in Italy. Sorry that I can't translate these into English. - John - ] From: Gianluca [tgl@2ainfo.it] Sent: Wednesday, May 08, 2002 8:24 AM To: Undisclosed-Recipient:; Subject: CP & ELP tribute up-date CIAO AMICI ECCOVI LE PROSSIME DATE DI CARL PALMER ITALIAN TRIO E DEGLI EMERSON LAKE & PALMER tribute CARL PALMER trio live in Mestre -VE- 28/05/02 CARL PALMER trio live in Sassari 30/05/02 EMERSON LAKE & PALMER tribute live at Four Season music hall in Castel Goffredo -MN- 17/05/02 EMERSON LAKE & PALMER tribute live at Giardini di Viadana in Viadana -MN- 05/06/02 EMERSON LAKE & PALMER tribute live at Hard Rock Beer in Reggiolo -RE- 21/06/02 EMERSON LAKE & PALMER tribute live at Arena Spettacoli in Gazzoldo degli Ippoliti -MN- EMERSON LAKE & PALMER tribute live at Lido Po in Boretto -RE- 29/06/02 EMERSON LAKE & PALMER tribute live at F. Unita' in Suzzara -MN- 10/08/02 GIANLUCA TAGLIAVINI http://digilander.iol.it/hammondleslie/tgl_1.0.htm --------------------------------------------- From: Gianluca [tgl@2ainfo.it] Sent: Wednesday, May 08, 2002 5:30 PM To: Undisclosed-Recipient Subject: carl palmer italian trio CIRCOLO CULTURALE "I R I S H L A N D" con il patrocinio di A.V.I.S. Riviera del Brenta -Dolo- (Ve) in collaborazione con il quotidiano "Il Gazzettino" e con "Press Music" presentano: TRIBUTE to EMERSON, LAKE & PALMER con il mitico batterista degli "ELP": C A R L P A L M E R La band: CARL PALMER, batteria Gianluca Tagliavini, organo Hammond e tastiere Roberto Cassetta, basso Il giorno: Martedì 28 Maggio 2002 Ore 21 Drum clinic Ore 22 Show Il posto: Discoteca "041" Via S.Giorgio in Alga Marghera (Venezia) Tel. +39 041 5384381 I biglietti: 15,50 € a biglietto (+ diritti di prev.) presso il circuito Triveneto Box Office tel. +39 041 940200 www.boxoffice.it L’organizzazione: Circolo Culturale "Irish Land" Via Petrarca 2/4 30031 Dolo (VE) Le informazioni: Benny: tel. +39 339 4506319 e-mail: bferrato@tiscalinet.it Ivano: tel. +39 340 7050160 e-mail: deepone@tin.it Come arrivare: Dall’Autostrda da Milano: Uscire alla barriera di Venezia e prendere la prima uscita per Venezia-Marghera. Dall’autostrada da Trieste, tangenziale: Uscire all’ultima uscita della tangenziale, per Padova, Ravenna, Marghera, S.S. Romea. Dalla S.S. Romea e da statale 11 Padova-Venezia : Prendere direzione autostrade Milano-Trieste alla rotonda di Marghera. Si arriverà così ad un’altra rotonda con l’Hotel Holiday Inn e un distributore ben visibili sulla destra, la prima strada dopo l'hotel, è quella per Marghera centro, prenderla, poi si trova una successiva rotonda, facendola quasi tutta, si vede a destra una concessionaria Mercedes (si chiama Sartori); circa 100 mt. dopo c'è via Trieste, prenderla, si passa sotto ad un cavalcavia, appena dopo prendere a destra Via s. Giorgio in Alga, percorrerla tutta fino in fondo, si passerà a fianco a dei binari e nuovamente sotto ad un cavalcavia, la strada termina in discoteca. Dalla rotonda con l’Holyday Inn alla discoteca c’è circa un kilometro. =========================== Digest subscription, mailing address, and administrative stuff to: elp-digest-request@reluctant.com ELP-related info that you want to put in the digest to: elp-digest@reluctant.com Back issues are available from the ELP Digest web site: URL: http://www.brain-salad.com/ Note: The opinions, information, etc. contained in this digest are those of the original message sender listed in each message. They are not necessarily those of the mailing list/digest administrator or those of any institution through whose computers/networks this mail flows. Unless otherwise noted, the individual authors of each entry in the Digest are the copyright holders of that entry. Please respect that copyright and act accordingly. I especially ask that you not redistribute the ELP Digest in whole or in part without acknowledging the original source of the digest and each author. Thanks! End of ELP Digest [Volume 12, Issue 6] **************************************